Indo Pak peace

Music: Tabla master Sandeep Das & Kayhan Kalhor

16 May 2015

Tabla master Sandeep Das joins multiple Grammy nominee and co-founder of Masters of Persian Music Kayhan Kalhor following their March D.C. appearance with Silk Road Ensemble 
Kalhor018(AliBoustan)
The U.S. does not boast many kamancheh (Persian spike fiddle) performers, let alone any in the same league as Kayhan Kalhor. He is, quite simply, the most internationally acclaimed master of this instrument, which produces a broad range of sounds, from an almost percussive bark to a sweet, throaty tone. The Tehran-born Kalhor closes out Washington Performing Arts’ season-long exploration of the Silk Road, performing with artists from other countries on the historic Silk Road, on Saturday, May 16, 2015 at 8pm at Sixth & I Historic Synagogue. Kalhor is joined by his Silk Road Ensemble colleague, renowned table master Sandeep Das. This is the second time this season that D.C. audiences will be treated to Kalhor and Das’ inimitable style. Their Jugalbandi was peformed at the lauded March 1, 2015, Washington Performing Arts presentation of Yo-Yo Ma’s Silk Road Ensemble, of which Kalhor and Das are original members and frequent collaborators. (more…)

The need to review our India policy

13 March 2015

The Indian foreign secretary’s visit to Islamabad last week generated much interest but the outcome was the usual bureaucratic statements amounting to nothing. The stalemate, however, was broken and the US — a keen supporter of the ‘dialogue’ — welcomed the meeting between the top diplomats of India and Pakistan. Prime Minister Nawaz Sharif also met with the foreign secretary from New Delhi. The talks, as we know, were about further talks. It is a pity that since August 2014, diplomatic channels of communication were stalled. The Indian prime minister’s decision to call off the earlier round in 2014 was unwise and even some Indian commentators had criticised it. Perhaps, domestic dictates, especially of the elections in Indian-occupied Jammu & Kashmir (J&K), necessitated a hardline by Narendra Modi. Now that the elections are over and the BJP has forged a coalition government with a soft-separatist party, the domestic calculus may have changed. Despite the Hindu nationalist credentials of Mr Modi, striving for normalisation is a course that he is likely to adopt. Even more so, as India’s economic transformation appears to be his priority, and without a stable region, that goal is hard to realise.

The recent talks, according to the respective statements, reiterated a familiar mantra: Mumbai, Samjhauta Express, trading of allegations of involvement of domestic militancy faced by both countries. The worrying increase in violence along the Line of Control and the Working Boundary were also discussed. Once again, the soft confidence-building measures, such as people-to-people contact, religious tourism and sports were brought up as the panacea to a bitter, twisted legacy of this bilateral relationship.

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‘About suffering they were never wrong’

8 March 2015

Miniaturist Saira Waseem is the latest exponent in a long list of Pakistani artists resisting the country’s political, cultural and social erosion.

Saira waseem4Passion Cycle, 2005

Pakistani art going global is a remarkable story, for it typifies the ineffable contradictions of the country. In part it is a testament to the country’s creative expression, an explosion of sorts; and partly a mode of resistance to the anti-art ideology that is permeating the social fabric. It’s not just painting or the booming art galleries, there is a revival underway of the moribund television drama, the resuscitation of cinema and continuous experimentation with music.

Salima Hashmi, a leading arts academician and practitioner noted in a recent essay that the “proverbial worst of times are certainly the best of times for contemporary Pakistani art.” Our foremost historian, Ayesha Jalal in her latest book “The Struggle for Pakistan” views the creative expression as a resistance to Pakistan’s forced Islamisation. Jalal writes:

saira waseem5

Ethereal I, 2014

“The globalization of Pakistani music has been accompanied by a remarkable leap in the transnational reach of the creative arts…a younger generation of painters are making creative uses of new ideas and technologies to both access and influence a diverse and dynamic transnational artistic scene. The dazzling array of new directions in the contemporary art, literature, and music of Pakistan displays an ongoing tussle between an officially constructed ideology of nationalism and relatively autonomous social and cultural processes in the construction of a “national culture.”

Jalal as a contemporary historian reminds us that the domestic battle of ideas and ideologies is not over and is assuming newer shapes. At the same time, the issue of a crumbling Pakistani state haunts the future trajectory. Is the arts and literature renaissance of sorts an antidote to a state unable to fulfill its basic functions such as securing the lives of its citizens? There are some immediate examples from the subcontinent that come to mind: The reigns of Wajid Ali Shah and Bahadur Shah Zafar in nineteenth century India were also remarkable for their artistic endeavours before the final takeover of the British. Not entirely relevant, these are important phases of our recent history to be remembered.

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Six ideas for Pakistan to defeat the Taliban

20 December 2014

There’s a lot Pakistan could do to root out terrorism. But will it?

Raza Rumi3

 

It is being seen as a watershed moment in Pakistan, the December 16 massacre of 142 children and teachers in Peshawar. Pakistan’s civilian and military leadership has vowed to act against the Tehreek-e-Taliban Pakistan. The first policy response was to lift the moratorium on the death penalty. Human rights campaigners say this may not be the appropriate response to the challenge that Pakistan faces. There are over 6,000 inmates on death row in Pakistani jails.

A committee of parliamentarians met on Friday to discuss the way forward. Earlier this year, Pakistan’s cabinet and the National Assembly endorsed an internal security policy that, among other measures, called for intelligence coordination, a special counter-terrorism force and steps to de-radicalise society. The policy has not been implemented because political turbulence since July has prevented the Nawaz Sharif government from focusing on policy decisions. Fearful that the Imran Khan-led political agitation has the backing of sections of the military-intelligence complex, Sharif has been busy just finding ways to survive.

After the December 16 massacre, however, the Pakistani public is asking for concrete action. It is looking to the government to deliver. Will it rise to the occasion? There are six key policy planks that the civilian government will have to decide on, and take the military on board for them to be implemented. Without a civil-military compact, such changes may not be possible. (more…)

Pakistan: Hiding state failure by invoking the ‘foreign hand’ theory

4 November 2014

For more tweets please find the link:

Pakistan: Hiding state failure by invoking the ‘foreign hand’ theory

Malala Yousufzai – A symbol of Pakistan’s Resistance to Bigotry

13 October 2014

The tragic floods in Kashmir and Jingoism

14 September 2014

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