Hundreds of decaying historical buildings across Lahore await Attention
Third story for the Herald’s annual heritage issue:
Once renowned as a city of gardens and monuments, Lahore now manifests decaying cultural heritage, rampant urbanisation and unregulated commercialisation. The monuments of Lahore, whether great or small, suffer from lax conservation efforts, if any at all. In fact, the lesser ones are in a tragic state of despair. Among these, several old heritage monuments are nearly obliterated.
Lucy Peck, the author of Agra: The Architectural Heritage on a recent visit to Lahore said that “she found it very depressing” because she was looking forward to visiting a couple of historic mosques. The Chinian Wali mosque, which was once decorated with kashi tile work, has been resurfaced with modern tiles, done
in a crude kasha style. And the Sheranwala Gate mosque has disappeared completely except for the mehrab niche, which is still there.” Bhadhar Kali Mandar, a Hindu temple believed to be over 2,000 years old and situated east of Thokar Niaz Beg on the southern outskirts of Lahore, is facing decay and destruction. The temple has a central building with a huge pool in the centre that was once fed by 12 wells through an indigenous drainage system. Its walls had beautiful frescoes, some of which have managed to survive over the centuries. At one point in time, this temple would host the biggest Hindu festival in Lahore.
According to Haroon Khalid, a cultural researcher, writers such as Kanhiya Lal Hindi and Abdul Latif have mentioned this festival in their works. This temple is visible from Multan Road with its plinth six feet high from the ground and the temple structure itself rising to approximately 20 to 25 feet. When Khalid contacted the archaeology department office situated in the Lahore Fort, an office representative said he was ignorant about the temple, suggesting Khalid contact the Auqaf department which, in turn, said the temple was not within its jurisdiction. Since Partition, the old temple lies abandoned and its walls have become fragile. In order to ensure the safety of those inhabiting the temple, local residents have decided to demolish it and construct quarters without the permission of any relevant authority.
Adjacent to the shrine of Sufi saint Hazrat Mian Mir is the tomb of Nadira Begum Bano, wife of the Mughal Prince Dara Shikoh, the ill-fated heir to Shahjehan’s throne and the crown prince of his Indian empire. Unlike other Mughal tombs which have been constructed in the midst of gardens, Nadira Begum’s tomb is built amidst a water tank without a dome, bearing a flat parapet on all four sides and appearing more like a pavilion. During the British Raj, the tank was dismantled and its bricks were recycled and used to build the Lahore Cantonment. During the Sikh period, the tomb was robbed of its costly marble and semi-precious stones. Today the building retains a simple and blank facade, shorn of all ornamentation.
Photographer Saad Sarfraz Sheikh having documenting the tomb for years, says it was declared a protected monument in 1956 and since then responsibility for its conservation lies with the archaeology department. In 1956, a comprehensive scheme was framed by the department for its repair and restoration. Evidently, this scheme never materialised. (more…)
Lahore’s fabled Walled City is now a grand metaphor for the tragic neglect of heritage. Over the years, it has turned into a business district as residents increasingly head towards the anonymous suburbia. The population of the Walled City has declined during the last two decades: every passing day witnesses the undoing of a past lovingly built over centuries.
Lahore, a centre for the arts and learning in the early 20th century, has been the custodian of a plural, vibrant culture for decades. Its walled city, unlike several other old settlements, has continued to survive despite the expansion of the city. So have its peculiar features: its dialects, cuisine, community linkages and, of course, rich festivals such as Basant. As the capital of Punjab, Lahore used to celebrate Basant — the arrival of spring — in a colourful manner.
Unfazed by these fatwas, Lahoris continued with the festival. It even received state patronage on various occasions. A citizen of Lahore, Mian Yousaf Salahuddin (the grandson of Iqbal), turned his old Lahore haveli into a cultural hub and, over time, Basant celebrations became an international attraction. By the 1990s, proactive civil servants turned Basant into a great regional festival. Lahore’s then deputy commissioner, Kamran Lashari, provided full backing to the holding of this event in the 1990s. That was perhaps the time when Basant also became most controversial due to its scale and the increased hazards of unregulated kite-flying in which metallic or chemical-coated string was used.
The attack sparked a gun battle between security forces and the attackers in Garhi Shahu [AFP]
A 













Recent Comments