I partiicpated in a VOA show with Ayesha Siddiqa and Wusatullah Khan hosted by Tabinda Naeem on language, literature and current trends.
Manto stands more or less alone in the position he takes on women, contends Raza Rumi, in an exploration of Manto’s relationship with his female protagonists
Perhaps the most well-known and also controversial Urdu writer of the twentieth century happens to be Saadat Hasan Manto. He left us with a stupendous literary output, which continues to remain relevant decades after his death. Manto, not unlike other ‘greats’ died young and lived through the greatest upheaval in the Indian subcontinent i.e. the Partition. As a sensitive writer, he was influenced and traumatized by political turmoil during 1947 and beyond. His stories reflect his repeated attempts to come to terms with this cataclysmic event especially for millions in North India. For Manto, partition remained a mystery but he did not keep himself in a state of denial about it. He always used the word ‘batwara’, never partition.i Manto felt that it was the ripping apart of one whole and would lead to greater divisions among the people of the subcontinent. This coming to terms with the ‘batwara’, is experienced in his works by unusual characters driven by plain ambitions, mixed emotions and above all sheer humanity.
Like Nazeer AkabarAbadi, Manto’s characters are universal and often it is difficult to condemn or dislike them since their humanity remains overarching. Manto raised the slogan of humanism at a time when the subcontinent presented the picture of a boiling cauldron of religious riots and protests, of acts of misogyny committed in the name of communal honour and ‘nationalism’. For example, in the story Sahai, Manto writes, “Don’t say that one lakh Hindus and one lakh Muslims have died. Say that two lakh human beings have perished.” Manto uses his characters as metaphors to highlight the prevalent abuse of humanity in those times.
He wanted variety and could not confine himself to a uni-dimensional career or vocation. Other than being a rare blend of East and West, Patras exemplified the modern man – searching for new meanings in life and experimenting with experiences
This December witnessed a literary landmark of post-internet Pakistan.A dedicated website – www.patrasbokhari.com– on Patras Bokhari, a towering literary figure, was launched at the Government College University, Lahore. It is well-known that the GC produced world-famous personalities while it was the leading educational institution in this part of the subcontinent, but its stature as a hub of education, culture and literary regeneration declined over the years. Some observers hold, however, that the recently increased autonomy and elevation of GC to the status of a university will reverse the decline. It was the glorious tradition of this institution that produced giants such as Patras, Faiz and Iqbal, amongst many others.
Prof Syed Ahmed Shah Bokhari (1898-1958) is most famous through his penname “Patras” Bokhari. While he was a first-rate educationist, broadcaster and diplomat, perhaps his lasting fame is the result of his stature as an inimitable essayist and humourist – a rare trait amongst the mourning and elegy-prone South Asian creed. Patras Ke Mazameen , immortal as they are, set the standard for high quality, incisive satire and humour. Unlike the medieval mores of literature being the preserve of the courts and its courtiers, these essays reach out to everyone, encompassing a modern sensibility that makes them pertinent and attractive even today. There is a distinct universality in these writings that perhaps had to do with the humane and cosmopolitan side of Patras himself. The compelling evidence of this aspect was his huge success as a diplomat when he served as Pakistan’s permanent envoy at the United Nations in the early 1950s, enabling him to be titled ‘a citizen of the world.’
Last year, my book was released in Delhi. The video and transcript of the discussion have been uploaded now.
Mushir ul Hasan: I’m delighted to be associated with the launch of this book; however, I believe that the subtitle of the book could have been a touch different. ‘The impressions of a Pakistani traveller’ – immediately creates an image in my mind of the ‘distinct other’, and I think it is this sense that we’re probably trying to do away with here. One of the strengths of this book lies with the fact that it does try to bridge the intellectual and cultural gap that exists, or has been created, since both country’s gained independence in 1947.
I particularly noticed the fact that Raza doesn’t actually look at Delhi, its cultural profile and its social profile as an outsider or someone who hails from Pakistan. He demonstrates empathy and respect for the city and has knowledge of the city’s development and its growth. According to me, he relied on skill and intuition to study some of the features of this city – particularly those of you who have read the sections on the Sufi shrines. They’re not only informative to many readers, but evocative at the same time, and yet in a certain sense, they also represent, the true character and complexion of this diverse city. I would like to thank Mr. Raza for writing a book about ‘our city’; as it is a very lively, vivid and comprehensive narrative.
I would also want to bring to the attention of academicians, that in order to understand the book, one needs to draw a distinction between academic and journalistic writing. The thin line that divides the two is blurred nowadays, which is why I would be glad to recommend your book to my students to understand what eloquent and comprehensive writing is all about. The book has a considerable amount of interesting insights, with the exception of certain sections.
The book is incisive from the outset and it looks at a city through a holistic lens. To eloquently describe its history, its past and its present without having lived here is a commendable effort and I am lending my voice and my views, to the number of reviews that have already appeared in the newspapers, regarding the book. Almost all the reviews that I have read are very interesting and I do hope that this book will go a long way in familiarizing Raza’s countrymen and our countrymen with the vibrancy of this city, its multifaceted personality and the manner in which Delhi has grown over the centuries. Thank you once again, for writing such a good book.
Read full transcript and watch video on my blog “Delhi by Heart“
My review for The Friday Times
South Asia 2060: Envisioning Regional Futures is a comprehensive volume of essays edited by Adil Najam and Moeed Yusuf. Given the importance of the South Asian region, this book attempts to fill in a huge gap that has existed for decades. Discourses on South Asia for reasons well known, have been obsessive about all things security and in recent times terrorism. The editors note that South Asia “sits atop a globally strategic location” and gladly move on to other important topics, which makes this volume a useful contemporary reference. The introduction notes the immense potential for energy trade as well as the significant regional security implications for the world at large. This is why the future of South Asia is not just important to those who live in the region; it is duly a global concern. The 37 papers authored by 44 experts, in the volume trace the multiple futures and mercifully avoid the common fallacy of reducing South Asia to India and Pakistan and their bitter rivalries.
The introduction summing up the book rightly identifies that the idea of South Asia is a contested one and its ownership – political and economic – would determine the future. Commenting on the term Southasia introduced by Nepal based Himal magazine, the editors state: “…the future of the geography we know as South Asia will depend, at least in part, on what happens to the idea of Southasia. We are not in a position to say what that will be just yet, but it is clear that the aspiration of Southasianness is entrenched more deeply in the South Asian mind than we had imagined. It is an idea that our regional politics has often rejected and fought against. But the resilience of the aspiration suggests regional politics may eventually have to embrace it.” Thus the emergence of Southasia, a regionalized identity, will be a political process and the book suggests that there is no one course or prediction to hold it.
In this context the paper, the paper by US based Pakistani historian Manan Ahmad Asif entitled “Future’s Past” contends that though the immediate history of Pakistan and India might broadly be cause for pessimism (such as the violent partitions of ’47 and ’71), there is nevertheless a greater, storied and shared history that can be recalled in order to realize how communities in South Asia can peacefully co-exist. Continue reading
A review of Naveeda Khan’s book Muslim Becoming published in “The Book Review”
I wanted to learn what it meant to know Islam in Pakistan and why this knowing was so easily brushed aside.
It is a welcome addition to the rather scant literature on Islam, identity and Muslimness in contemporary Pakistan. Khan begins by presenting a debate between four librarians of differing religious persuasions. Deep within the stacks of the Provincial As- sembly Library, four men take part in a dis- cussion that highlights the marked differ- ences in their belief systems. Of the four, one is a Shia and the other three Sunni. Among the Sunnis, one identifies himself as a Deobandi, one as a follower of Ahl-e-Hadis sect, and the third as a Barelvi. Akbar, the follower of Ahl-e-Hadis school of thought, speaks at length of the superiority of their mosques as ‘they allowed laymen to give ser- mons and encouraged women’s participation in congregational prayer’. Despite his reverence for mosque culture, Akbar is derisive of the thought of praying at the Prophet’s mosque in Medina.
It is commendable to pray at the Prophet’s mosque, but it isn’t necessary. Some among us have made it into a re- quirement by saying such things as, the Prophet is alive there, he can hear your prayers and he can grant you your wishes. Such claims are bid’a. One cannot pray there until such time as this bid’a has been vanquished… Continue reading
“Dilli jo aik shahar tha aalam mai intikhaab
rahtay thay hee jahaan muntakhib rozgaar ke
us ko falak ne loot ke weeraan kar diya
hum rahne waale hain usii ujray dayaar ke”
This poignantly beautiful poem by Mir Taqi Mir symbolizes Delhi and for me is at the heart of the book by Raza Rumi as he lovingly traces the rise and fall of Delhi in his book “Delhi by Heart”.
It is rare that one comes across a book with a soul and this is a book which is all heart. It is an outpouring of love by a Pakistani based on his visits here.
I am ashamed to say that as someone born and brought up in UP which is Delhi’s neighbour and on my many subsequent visits I have never seen even half as much of Delhi as this ‘outsider’ has done.
Raza not only lived in Delhi during his visits, he lives Delhi in this book.
He takes his readers through the glory days of Delhi to the later trials and tribulations.
Through his eyes I revisited the Khanqaah of Hazarat Nizamuddin Auliya, paid my obeisance at the dargaah and danced in ecstasy swaying to the qawwalis of his beloved disciple Amir Khusrau.
I ate the biryanis and kebabs at Nizamuddin Basti, learnt of the history of cuisines which were born there and licked my fingers at the end.
For someone interested in the Sufi silsilas this book is a must read as it’s a virtual commentary on the advent of Sufism in India along with being a tour guide to all the dargaahs and khanqaahs housed in Delhi. In fact the Sufi theme is central to the book but then that was to be expected from a Rumi! Continue reading