I was a student in the United Kingdom when The Satanic Verses – the controversial novel by Salman Rushdie – created pandemonium across the globe. Images of the book being burnt were flashed across the television screens. My British Muslim friends were divided – some passionate about the issue of blasphemy, others unconcerned or detached […]
This October, the electronic billboards at the maddening Times Square in New York City will display the creative prowess of Shahzia Sikander, an artist of Pakistani descent who lives and works in NYC. Public art involves space, memory and an aesthetic that travels beyond studios and carefully curated museum ethers. It is also a vehicle whereby an artist speaks to, absorbs the milieu, and even reinvents it.
For any artist, this is a moment of fruition and splendor. Every night, from October 1-31, at 11:57 p.m. sharp, Sikander’s animation entitled Gopi-Contagion will add another powerful layer to the skyline of New York City. Not unlike the briskly unfolding stories of the city, the Gopi-Contagion takes the viewer through a fantastic motion of hundreds of digitally animated drawings that swarm and turn into a metaphor for collective performance. There could not be a more befitting tribute to NYC nor a more apt symbol of the energy and undecipherable movement of the urban space.
Islam is ‘incompatible’ with Western civilization is what we hear at the start of a new film Journey into Europe that looks at the much-hyped dilemma in much of Western Europe. The film deals with cascading phases of recent history: From the inclusive times of Muslim Spain to Ottoman Empire; and from the […]
The Smithsonian’s Freer Gallery of Art and Arthur M. Sackler Gallery have placed on view a relic from ancient Palmyra in Syria. In addition, the galleries are displaying images of 18th century engravings and 19th century photographs from its archives. In the wake of Daesh or the Islamic State’s offensive in Syria, this exhibition has attained a symbolic significance. Being held in the capital of the world’s only superpower with a questionable Syria policy, the display reminds us of what is at stake.
It was exhilarating to be connected with this rich past of humanity and at the same time extremely devastating to remember that we live in a world where our ancient treasures can be wiped out while we look on helplessly.
Haliphat – a limestone funerary relief bust on display at Sackler- stares at you with an intense expression. Her two fingers on the chin represent modesty and virtue. For a moment it seems like a reflection on what is happening in Palmyra today. Halpihat has been dated back to 231 C.E. The almost-alive figure displays Roman and Aramaic artistic styles, reminding us of how Palmyra was the bridge between the East and West.
The Islamic State reportedly has planted mines and bombs in Palmyra. It is unclear if ISIS intends to destroy Palmyra or is using the threat as a strategy to deter attacks by Iraqi forces. Nevertheless, our collective heritage under grave threat. […]