“South Punjab, in particular, the districts of Multan and Bahawalpur…, have a vast range of cultural assets. the living culture of the communities carries influences of the inherited ancient civilizations and historical past which flourished in this region and has permeated their present day culture and its expressions. Cultural zones within these two districts are discernable which have infused the living culture of communities influencing their lifestyle, value system and world view; giving the South Punjab region a distinct cultural identity reinforced through their shared language, Saraiki. the earliest, dating back to 3800 BCE, is that of the Cholistan desert, the Rohi made famous by the region’s premier Sufi Saint Khawaja Ghulam Fareed. Although the built assets are contained within the desert yet its intangible expressions of poetry and oral narratives, song and dance is embedded
within the culture of the region, in particular Bahawalpur. The influences of the material culture of the ancient people of the Hakra Valley Civilization can still be found in the pottery making traditions and in the motifs and designs which continue to be used. The other identifiable culture ethos permeating the living culture of the region is that engendered by the advent of the Sufi saints in the 10th century onwards.  The Sufi philosophical and material culture emanated from the ancient cities of Multan and Uch Sharif, the central abode of mystical Islam in the region, which had far reaching impact on the whole of South Punjab and further into Sind and Northern India.  the erstwhile Bahawalpur State (1802-1955 CE) has also had deep influence on the culture of the district and the built form engendered during the State period has left an indelible mark on the built environment of the
entire area, most prominent in its capital city, Bahawalpur and the twin capital Dera Nawab Sahib….”
Read the full report by UNESCO here:  http://unesco.org.pk/culture/documents/publications/Cultural_Expressions.pdf

	Zarina and KK Aziz, Lahore, 2007
	KK Aziz, aged 11 years
	Author with the grand historian of Pakistan, 2007
	KK Aziz, aged 10 years
	KK Aziz at MB high school, Batala, 1941-42
	KK Aziz at Government College, Lahore, 1946

It was a humid evening in Peshawar when I found out about the demise of Pakistan’s neglected, grand historian KK Aziz. As it is, visiting Peshawar these days is quite depressing, and this news hit me for its stark, brutal reality. This was the physical death of the historian, for the scholar had already been marginalized from the mainstream of an anti-intellectual Pakistan. Only a week before, I had spoken to Zarina Aunty, his wife, and inquired about Aziz’s health. I am overwhelmed by the regret of not having met him for months, knowing full well how fragile he had been for the past few years.

It had become a routine over the years to meet the historian at his Lahore house and spend long, engaging afternoons duly arranged in advance. Aziz was an old-fashioned gentleman: proper, entertaining and hospitable. It was his wife, Zarina, who was more of a light-hearted character in their lonely house full of books and research materials.

At school, our exceptional history teacher had introduced us to KK Aziz and his writings; and the experience of reading shoddy, deceitful textbooks and Aziz’s reasoned critique was both revealing and entertaining. It was years later when my friend Faheem, with whom I explored history, introduced me to K.K. Aziz. That was a fantastic moment, for meeting Aziz was always a mixed experience: exciting, disquieting and sometimes depressing. He peeled away layers and layers of the ignorance and half-truths that have been so viciously grafted on to historiography by Pakistan’s nervous and irresponsible state.

Khursheed Kamal Aziz, commonly known as KK Aziz, was born to Barrister Abdul Aziz, in Ballambour near present-day Faisalabad on December 11, 1927. KK Aziz’s father was acclaimed as “a historian in his own right” for work on Heer Waris Shah, and in the Urdu work “Woh Hawadis Ashna” KK Aziz elucidates his family legacy and his father’s history.

True to his lineage, Aziz was to pen dozens of historical works and there is little doubt that he shall be remembered for generations of academia and independent scholarship. He was an alumnus of Government College, Lahore, where his tutors included Professor Ahmad Shah Patras Bokhari and Professor Sirajuddin. Later, Aziz became a full professor, and over the years taught courses in politics, history, Islamic Studies and Asian studies at various universities in Lahore, Toronto, Cambridge, Heidelberg and Khartoum. His research interests and capacities were emboldened by this international exposure. However, he yearned to bring back his experience and expertise to his country, but each time the co-joined twins of the Pakistani state and its ‘ideology’ were to harry him. Independence in scholarship is not a trait respected by officialdom, for it tends to promote and honour the cop-outs and the conformists.

Aziz served as an Official Historian to the federal government, Chairman of the National Commission on Historical & Cultural Research, and a Special Policy Adviser to the Prime Minister between 1973 and 1978. In these official capacities, he was characteristically important in the historical definition of Pakistan’s ‘life’ as a nation. In 1978, he was heading the National Commission of Historical and Cultural Research in Islamabad when he was forced to leave Pakistan by Zia-ul-Haq.However, this did not dissuade him from his passion and his academic pursuits.

Even before the draconian Zia era, K.K. Aziz faced various impediments from the state. For instance he related to me how the state censored certain portions of Fatima Jinnah’s monograph “My Brother”, where unsavoury remarks about Liaqat Ali Khan were kept under lock and key lest they demolished the official mythologization of Pakistan’s early leadership. Jinnah in Ziarat apparently had refused to see Liaqat Ali Khan, and only on the persuasion of his sister did Jinnah agree to see him, along with Abdur Rab Nishtar. Jinnah reportedly told his sister that the visitors, on the pretext of inquiring after his health, had come to check how soon he was going to die.

Such flagrant abuse of power and distortion of facts has led us to a point where we exist as an imagined fortress of Islam seeking glories, while in reality society and the state are struggling to survive. This is why the exit of KK Aziz is significant, for we have lost the home-grown voice of sanity which gave primacy to facts over spin-doctoring.

Aziz authored “The Pakistani Historian: Pride and Prejudice in the Writing of History” in 1993, elaborating upon the experience from his own professional career and the kind of life that a historian in this country would live through. In the same year he also wrote “The Murder of History”, a succinct rendition on history and how it is presented or obscured by official raconteurs. It was in the 90’s that he also admitted to having ghost-written “The Struggle of Pakistan”, published under the name of Ishtiaq Hussain Qureshi. In 1995 he attended the 62nd anniversary celebration for the name “Pakistan” at an event in London, where he elucidated upon the history of the word “Pakistan”, taking initiation from Rehmat Ali’s declaration “Now or Never” in January 1933. In 1997 he was elected to the coveted Aziz Ahmad Memorial Lectureship at the University of Toronto; signaling his position as a political scientist, as a historian and as an instructor/lecturer of global repute.

The works of KK Aziz testify to his penchant for detail, of verified sources of information and astute analysis. His seminal work, “The Making of Pakistan: A Study in Nationalism”, is a standard textbook and is a superior work on Pakistan’s troubled nationalist identity. His other well-regarded books include “Party Politics in Pakistan 1947-1958”, “History of the Partition of India” and “Britain and Pakistan”, among others. He also authored a diverse range of books that dealt with pre-Partition history: “Public Life in Muslim India: 1850-1947”, “Muslims under Congress Rule 1937-1939: A documentary record”, “British Imperialism in India”, and “The All India Muslim Conference 1928-1935: A documentary record”. His original works on political science and history, such as “Studies in History and Politics” and “Britain and Muslim India” are also well-known. Another well-researched document, “Rahmat Ali: A Biography” was published in 1987, and this is a magnificent tribute to an elusive historical figure who coined the term ‘Pakistan’ in the first instance.

From being an avid nationalist, KK Aziz also journeyed through a phase of disillusionment with the country that he had cherished. I recall a meeting where he was brutally frank about Professor Ishtiaq Hussain Qureshi, who had doctored historical facts to serve the new state, and created a fabricated account of Pakistan’s creation. Even though he had contributed to the writing of the book, Professor Qureshi had tinkered with the truth and set a wrong precedent for coming generations. It is no wonder that historiography in Pakistan is nearly extinct. A handful of Pakistani academics, mostly working in Western universities, such as Ayesha Jalal, are keeping the torch ablaze. But they are condemned and mocked by the guardians of official truth within the country, who cannot view Pakistan’s history beyond the right-wing narratives of anti-Muslim biases of the Hindus. Aziz in his last years was not as firm about his earlier views on the creation of Pakistan, and he did make a few revealing statements that I would rather not quote, for he should now rest in peace and not become a target for self-styled nationalist Mullahs. (more…)

Pakistani cable operators, following the cyclical escalation of imagined hatreds, discontinued the transmission of Indian satellite channels in 2002. The absence of Indian TV soaps, fodder for an entertainment hungry populace, was widely mourned. Once, not long ago, the axiomatic edge of Pakistan’s TV serials was widely acknowledged both in Pakistan and in India. No longer. This is the age of the market, of selling dreams and drama, of converting the stereotype into a saleable commodity and citing it on the cultural stock exchange.

The popularity of Hindi language soaps is not limited to Pakistan. I have seen squatters in Dhaka’s decrepit Bihari camp, Bangladesh’s largest no man’s land, glued to their colour TV sets. Here, Biharis lack citizenship; they are technically Pakistani, having opted for the Land of the Pure at the cessation of Bangladesh in 1971. But Pakistan doesn’t want them and so they continue to live in limbo. Yet, Star Plus is still beamed 24/7 into their tiny, cramped, leaking shacks. Indian soaps have made inroads even into Afghanistan, that newly liberated project of global corporate interests. They were wildly popular until the Afghan government banned them as inimical to Afghani values.

The soaring audience of Star Plus and Zee TV serials, with their in-your-face parivar mantras, is known all too well. The hype is also a constructed story of success and market acquisition. On the face of it, the commodification of entertainment is a global phenomenon. So what’s the problem, one might ask, given that most of us post-colonial wannabes in South Asia want to integrate into the global economy and its uniform cultural variants? Junk food, designer brands, pop music and the corporate media ethos are all “signs of progress.” (more…)

Farah at her blog has done a remarkable thing by selecting some excellent quotes from an essay called “Islamic Mysticism” by William Chittick

Full Text.

Highlights:

The fact that specialists are wary of generalizations in no way hinders the mistaken perception of most people in the West that there is a clearly defined something out there called “Islam.” (more…)

The Message of the Quran
Translated and Explained by Muhammad Asad (Formerly Leopold Weiss)

When studying the Quran, one frequently encounters what may be described as “key­- phrases” – that is to say, statements which provide a clear, concise indication of the idea underlying a particular passage or passages: for instance, the many references to the creation of man “out of dust” and “out of a drop of sperm”, pointing to the lowly biological origin of the human species; or the statement in the ninety-ninth surah (Az-Zalzalah) that on Resurrection Day “he who shall have done an atom’s weight of good, shall behold it; and he who shall have done an atom’s weight of evil, shall behold it” – indicating the ineluctable afterlife consequences of, and the responsibility for, all that man consciously does in this world; or the divine declaration (in 38:27), “We have not created heaven and earth and all that is between them without meaning and purpose (baatilan), as is the surmise of those who are bent on denying the truth.”

Instances of such Quranic key-phrases can be quoted almost ad infinitum, and in many varying formulations. But there is one fundamental statement in the Quran which occurs only once, and which may be qualified as “the key-phrase of all its key-phrases”: the statement in verse 3:7 to the effect that the Quran “contains messages that are clear in and by themselves (ayat-e-muhkamaat) as well as others that are allegorical (mutashabihaat)”. It is this verse which represents, in an absolute sense, a key to the understanding of the Qur’anic message and makes the whole of it accessible to “people who think” (li-qawmin yatafakkarUn). (more…)

This piece entitled, My Name is Green, published in the weekly Outlook India traces how “forged in the cultural ferment of a century ago, Islamic poster art in India thrived on the frontiers of taboo.” The author is Shruti Ravindran, who has obviously undertaken a lot of research and also published some great samples of such posters. That Islam in South Asia acquired and adapted the local flavour and modes of social and spiritual interaction is well known.

While reading this piece, I also recalled seeing similar eclectic posters in Pakistan in my childhood before the puritanism of General Zia ul Haq engulfed the country and Wahabi variant of an exclusive and suspicious man made ‘faith’ deepened its presence, well at least in the public domain of representation.

This piece looks at some of these aspects through the popular art form. Read and enjoy – full text has been posted below courtesy the intelligent Outlook. (more…)

“….humans made a mental trade-off as they diverged from their common ancestor with chimps some 5 to 6 million years ago. In gaining brawnier brains that can process language and other complex symbols, we may have dulled our ability to take quick mental snapshots.”

Text and image taken from here