The terrorism challenge

27 February 2015

The Pakistani government must take swift, effective action to implement its will and assert its authority.

Terrorism4

Pakistan’s terrorism challenge has burgeoned into a full-blown national crisis. Terrorism emanates from extremist ideologies that use religion to glorify violence. In addition, when there is constant marginalization of particular sections of society, people are denied basic necessities of life and any aspirations for a better life are in vain, many are driven towards violence. In Pakistan, surveys have shown that while the masterminds of extremist outfits are often well-educated, their recruiting ground is among the under-privileged.

In Pakistan the extremist narratives emanate from three main sources – the mosque-madrassah complex, school curricula, and the media. The country’s policymakers and law enforcement agencies need to take appropriate steps targeting these sources in both the short and long term, if the menace of terrorism is to be effectively curtailed.

Terrorism emanates from extremist ideologies that use religion to glorify violence

Short Term Measures:

Credible information is needed about all mosques and madrassahs operating at the district, provincial and national level. At the district level, the District Coordination Officers (DCOs) should be tasked to map and monitor all mosques and madrassahs operating within his jurisdiction. All madrassahs should be required to be formally registered with the local authorities. Information collected from each district should then be compiled into provincial and national data banks containing verified information on those running these mosques/madrassahs, their activities, their donors etc. Any madrassahs with foreign funding sources and teachers should be kept under extra scrutiny. In addition, police officers need to compile their data from each district and create national data centers which can help law-enforcement agencies to identify and monitor suspicious activity in any part of the country.

Any funding from any sources, both loc (more…)

Through the looking glass

21 February 2015

After a decade of epistolary exchanges, I finally met Shahzia Sikander, Pakistan’s most celebrated global icon of the arts, ironically unsung at home.

SikanderShahzia Sikander Selects, 2009, Cooper Hewitt National Design Museum, New York

“Not to be boxed in, to be able to transcend boundaries: for an artist, it’s essential.”

It is a pity that I got to discover Shahzia Sikander’s work only when I left Pakistan. After her initial successes in the 1990s, with her migration to the United States, she slowly disappeared from the local art scene and the narratives within her country of birth, almost rendered invisible, like the mythical characters one reads in the folklore. In a different country, she would be celebrated for being a global icon, intensely original and gifted. Not in her country of birth where talent is subjugated to the cliques that define ‘excellence’ and where history has to be doctored to make the present legible and comfortable.

sikander2The Scroll, 1989-91

Sikander graduated from the National College of Arts in 1991. Her innovative work struck everyone since she had done something remarkable with the miniature form. Reinterpreting the format of a traditional Indo-Persian miniature, she crafted a personal relationship and in a way liberated it from the clutches of ‘tradition’. Prior to her work, the late Zahoor ul-Akhlaq inducted postmodern ideas during the 1970s and 1980s and suggested how miniature remained a relevant form for ‘contemporary’ artists. In his own work he borrowed elements of the miniature form and merged them with the abstract style he practiced. Sikander went beyond and using miniature as the foundation for her work created something new. Her teacher Ustad Bashir Ahmed encouraged her and thus began the great revival. Later, Imran Qureshi, Aisha Khalid, Ambreen Butt, Saira Wasim and many others took this movement forward and they are all globally celebrated artists in their own right.

Counter Terrorism by Urdu Literature

15 February 2015

I partiicpated in a VOA show with Ayesha Siddiqa and Wusatullah Khan hosted by Tabinda Naeem on language, literature and current trends.


Raza Rumi on countring terrorism by Urdu… by razarumi1

Promoting pluralist folk heritage is vital for Pakistan’s future

13 February 2015

I talked to Dr Fouzia Saeed, the newly appointed Executive Director of Lok Virsa

fauzia saeedDr Fouzia Saeed with Zarina, a folk singer from Cholistan

Dr Fouzia Saeed, a scholar and civil society activist, was recently appointed as the head of Lok Virsa – the premier government institution to conserve and promote cultural heritage. After years of inaction and treating folklore as a commodity to be sold at melas and cafes, it is somewhat encouraging that a professional is in charge of an important institution. Fouzia is a renowned folklorist. Her well-researched book ‘Forgotten Faces: The daring women of Punjabi theatre’ traces the lives of women actors active in folk theatre during the 1960 and 70s. Another publication on the lacquered work of Dera Ismail Khan is a useful reference on an old craft that continues to be practiced.

Earlier, Fouzia led the movement for promotion of Manganhaar music encouraging younger people to participate and take pride in that activity. On PTV Fouzia interviewed many artists who had quit performing arts. As the founding member of Sanjh Theatre, she has been actively engaged with the folk arts. In 1988, she joined Lok Virsa as a Deputy Director, Research, and produced a record number of publications. In 1989 she set up a private organization – The Folklore Society – that she still chairs. Fouzia’s best known initiative remains Mehergarh – a Human Rights institute – that provides leadership training and helps build an alternative discourse on culture and society. Her PhD in Education and academic training in anthropology led to her award winning book ‘Taboo’ that explores the stigma on performing arts in Pakistan; and is now being used as a textbook in many countries.

We spoke to Fouzia as she was leaving for Islamabad to take charge of the institution.

Going back to Lok Virsa as its head must be a homecoming of sorts?

Yes, Nostalgic! When I joined it in 1988 I had just completed my education from the USA and was so full of enthusiasm. It was a thriving and creative place! There was a tea khokha on one side and we used to have samosas there and come up with  creative ideas for our programs. I really got groomed there. It is great to come back to it. All these past years I used to call it my ‘maika ghar’ (parental abode). I know almost all the people there, I also know its glorious as well as subdued past quite well. With all the affection for Lok Virsa, it is great to be back. Not just for the staff and colleagues but also the folk artists that I have maintained close contacts with.  They are thrilled and I am thrilled!

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Manto’s women

13 February 2015

Manto stands more or less alone in the position he takes on women, contends Raza Rumi, in an exploration of Manto’s relationship with his female protagonists

 

Manto2Saadat Hasan Manto

Perhaps the most well-known and also controversial Urdu writer of the twentieth century happens to be Saadat Hasan Manto. He left us with a stupendous literary output, which continues to remain relevant decades after his death. Manto, not unlike other ‘greats’ died young and lived through the greatest upheaval in the Indian subcontinent i.e. the Partition. As a sensitive writer, he was influenced and traumatized by political turmoil during 1947 and beyond. His stories reflect his repeated attempts to come to terms with this cataclysmic event especially for millions in North India. For Manto, partition remained a mystery but he did not keep himself in a state of denial about it. He always used the word ‘batwara’, never partition.i Manto felt that it was the ripping apart of one whole and would lead to greater divisions among the people of the subcontinent. This coming to terms with the ‘batwara’, is experienced in his works by unusual characters driven by plain ambitions, mixed emotions and above all sheer humanity.

Like Nazeer AkabarAbadi, Manto’s characters are universal and often it is difficult to condemn or dislike them since their humanity remains overarching. Manto raised the slogan of humanism at a time when the subcontinent presented the picture of a boiling cauldron of religious riots and protests, of acts of misogyny committed in the name of communal honour and ‘nationalism’. For example, in the story Sahai, Manto writes, “Don’t say that one lakh Hindus and one lakh Muslims have died. Say that two lakh human beings have perished.” Manto uses his characters as metaphors to highlight the prevalent abuse of humanity in those times.

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Pakistan’s future — fraught with perilous possibilities

12 February 2015

Nearly two months after the Peshawar attack, it is unclear if Pakistan’s direction has changed. The unprecedented grief and anger over the tragedy has now given way to business as usual. Bureaucrats undertaking the routine round-up exercises, platitudes by the politicians and the ‘firm’ image by the military leadership. Sections of civil society that defied the taboos of entering Islamabad’s no-go area i.e., Lal Masjid, ignited some hope that there was going to be a mass-scale mobilisation of Pakistanis against extremism and its violent manifestations. But the last rounds of activism attracted lesser numbers and apathy – a cornerstone of Pakistan’s mainstream culture.

What could be the greatest example of this syndrome than the muted response of the state and society over the massacre of 61 worshippers in Shikarpur. The National Action Plan is under implementation and apparently, thousands have been rounded up without a plan in place as to how they will be prosecuted in a court of law. The end result will not be different from the past record. Courts will bail them out sooner than later. Military courts are being operationalised and many Pakistanis view them as a panacea for the long-term failures of the judicial system. But there are many stages before they will become effective and deliver the kind of results that are needed to combat terrorism.

The prime minister had announced that all violent militias would be banned and proceeded against. But there are many which are free to mobilise. One day, the Jamatud Dawa is banned, the other day it is not. The ASWJ rallied in Karachi and the seminaries that are the backbone of these organisations remain fully functional. Admittedly, it is not possible to tackle them immediately but is there a strategy to handle three decades of mess that is growing messier? The answer to this question is in the negative.

When the Senate questioned the Punjab Police about foreign funding to seminaries, the initial response was denial-as-usual. Senator Tahir Mashhadi reportedly said that substantive evidence confirmed the “involvement of foreign-funded seminaries which were involved in promoting militancy in Pakistan”. The Saudi Embassy clearly said that whatever support was extended to welfare seminaries, mosques and charity organisations materialised with the express consent of the government. This has exposed the hollowness of the government’s commitments to address this key issue. Pakistan simply cannot be a playground for imported ideologies and allow sectarian battles to further bleed society. (more…)

Raza Rumi: They Tried to Silence Me Once and For All

11 February 2015

I spoke with Clarion about fighting for fredom of speech when the price for failure is death.

Raza Rumi9

Raza Ahmad Rumi is a Pakistani policy analyst, journalist and an author. He has been a leading voice in Pakistan’s public arena against extremism and human rights violations. 

In March 2014, he survived an assassination attempt in which his driver lost his life. Within weeks, he left Pakistan and has been affiliated with the New America Foundation and the United States Institute of Peace. 

He graciously agreed to speak with Clarion Project’s Research Fellow Elliot Friedland about Pakistan, free speech and blasphemy legislation.

 

Clarion Project: You are a writer. What challenges have you personally faced due to what you write about extremism in Pakistan?

Raza Rumi: When you write about growing radicalization and extremism and call for introspection, critique the role of clergy, then your writings are edited so as not to ruffle too many feathers. At times, one is labelled as anti-Muslim and anti-Islam for demanding a rational discourse on religion and its public manifestations.

Earlier, this opprobrium was restricted to verbal abuse and attacks, but now it has taken a dangerous turn with the increase of blasphemy law victims and in my case an assassination attempt.

Though I must clarify that writings in English draw less attention than those in the vernacular languages, I got into serious trouble due to my views aired on the mainstream Urdu broadcast media. My public engagement with media, academia/think tanks and civil society was too much for the extremists (backed by elements within the state) to handle. So they tried to silence me once for all.

Clariton1
An angry mob riots in Pakistan.

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