Raza Rumi was fascinated by artist Aasim Akhtar’s unique curation of Pakistani textile heritage at the Rawalpindi NCA – Click here to see more:
A recent exhibition in Rawalpindi showcased the rich variety of traditional textiles – lovingly weaved tales – from the various corners of Pakistan. Aptly titled, ‘Vanishing Worlds, Enduring Threads’, it presented a wide collection of textiles collected by artist and writer Aasim Akhtar. The threads, which Aasim had labeled as enduring, are disappearing fast, overtaken by mechanization, changing aesthetics and economic patterns. The exhibition was curated at the Potohar Art Gallery at the Rawalpindi Campus of the National College of Arts (NCA).
I was lucky to have the collector-curator walk me through the pieces on display, my instant reaction to which was how could anyone collect such a large variety and then keep it safely. One has to be as dedicated, eccentric and involved as Aasim to have picked up the best from villages, goths and remote corners of the country and create a formidable ensemble after two decades. From the better-known forms such as ‘phulkari’ to ‘chunri,’ the exhibition had some dying forms such as ‘lungi’ and animal trappings. Continue reading “Enduring Threads”