GulJee – what was the harm to you if you had lived a little longer!
Jahane Rumi is priveleged to publish this exclusive piece contributed by Syed Naveed Abbas
t is the month of December and one’s heart weeps as one invokes the memory of Guljee. His work is a living testament to our times and the dignity of a proud nation. He was the painter from the day he was born. A profoundly earnest and sincere artist, he displayed a high seriousness tempered with tenderness and a love of simplicity. Nevertheless, he is perhaps best known worldwide for his abstract work, which is inspired by Islamic calligraphy and is also influenced by the action painting. The images that Guljee’s brush strokes produced are not only rich in symbolic meaning but visually so much variegated that the eye travels fascinated from point to point. His painting comes from a divine inspiration, giving it a dimension of space and movement. He carried the script with a flourish in all directions, giving it the power of space, vigour and volume. He has made the brush prove mightier than the sword, time and again, and with his brush on canvas he has earned accolades. Whatever Guljee had a hand in turned out to have an unquenchable spark of utter genius. (more…)

What distinguishes Asim Butt from his generation and perhaps the preceding generations of artists is the sheer originality of his vision and an iconoclasm that is neither trumpeted nor made visible until the subtext of his lines is closely studied. This is why Asim has undertaken bold strides during the last 10 enriching years of painting. In the meantime, he also earned a degree or two in social sciences, a half-finished PhD at the University of California and formal training from Karachi’s Indus Valley Art school.
his early works display a cracked sense of the self is not surprising. A rebel from his conventional background, Butt continues to defy the conformist meanings of family, career, security, sexuality and that elusive bourgeois pursuit of happiness. Inspired by the Stuckism movement of art, Asim holds painting as a powerful medium of communication. This standpoint brings our young Pakistani Stuckist at odds with the skin-deep novelty and claimed nihilism of “conceptual” art and postmodernism. The pursuit of art in this worldview thus merges into an impulse for a renewal of spiritual values in art and society, or what is known as “re-modernism.” In Asim’s own words: 
At the exhibition, the Sufi paintings of Najmul Hasan Chishti, a khadim of the Khwaja and a calligraphy artist. The unique feature of this exhibition is the representation of the saying of Sufis in calligraphy, along with its meaning illustrated through a painting in the background.
Discovered this image of a calligraphic work and about the Iraqi artist Hassan Massoudy at the 


Iqbal’s matter-of-fact portraits have introduced the multiple nuances and shades of Lahore’s red-light area to the world. The women subjects are mostly from the area and he paints them with stark candour and brings out the depths of expressions and emotions in his lines and brush-strokes.
Among his recent paintings is the portrait of actor-writer 

above image on the Internet today. The
His works convey all of these emotions and bring to life extraordinary characters who are often neglected or spurned by the hypocritical culture of Pakistan. (images on the right and below are 












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