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Music: Tabla master Sandeep Das & Kayhan Kalhor

Tabla master Sandeep Das joins multiple Grammy nominee and co-founder of Masters of Persian Music Kayhan Kalhor following their March D.C. appearance with Silk Road Ensemble 
The U.S. does not boast many kamancheh (Persian spike fiddle) performers, let alone any in the same league as Kayhan Kalhor. He is, quite simply, the most internationally acclaimed master of this instrument, which produces a broad range of sounds, from an almost percussive bark to a sweet, throaty tone. The Tehran-born Kalhor closes out Washington Performing Arts’ season-long exploration of the Silk Road, performing with artists from other countries on the historic Silk Road, on Saturday, May 16, 2015 at 8pm at Sixth & I Historic Synagogue. Kalhor is joined by his Silk Road Ensemble colleague, renowned table master Sandeep Das. This is the second time this season that D.C. audiences will be treated to Kalhor and Das’ inimitable style. Their Jugalbandi was peformed at the lauded March 1, 2015, Washington Performing Arts presentation of Yo-Yo Ma’s Silk Road Ensemble, of which Kalhor and Das are original members and frequent collaborators. […]

May 16th, 2015|Arts & Culture, Indo Pak peace, Music, Personal|1 Comment

Through the looking glass

After a decade of epistolary exchanges, I finally met Shahzia Sikander, Pakistan’s most celebrated global icon of the arts, ironically unsung at home.

SikanderShahzia Sikander Selects, 2009, Cooper Hewitt National Design Museum, New York

“Not to be boxed in, to be able to transcend boundaries: for an artist, it’s essential.”

It is a pity that I got to discover Shahzia Sikander’s work only when I left Pakistan. After her initial successes in the 1990s, with her migration to the United States, she slowly disappeared from the local art scene and the narratives within her country of birth, almost rendered invisible, like the mythical characters one reads in the folklore. In a different country, she would be celebrated for being a global icon, intensely original and gifted. Not in her country of birth where talent is subjugated to the cliques that define ‘excellence’ and where history has to be doctored to make the present legible and comfortable.

sikander2The Scroll, 1989-91

Sikander graduated from the National College of Arts in 1991. Her innovative work struck everyone since she had done something remarkable with the miniature form. Reinterpreting the format of a traditional Indo-Persian miniature, she crafted a personal relationship and in a way liberated it from the clutches of ‘tradition’. Prior to her work, the late Zahoor ul-Akhlaq inducted postmodern ideas during the 1970s and 1980s and suggested how miniature remained a relevant form for ‘contemporary’ artists. In his own work he borrowed elements of the miniature form and merged them with the abstract style he practiced. Sikander went beyond and using miniature as the foundation for her work created something new. Her teacher Ustad Bashir Ahmed encouraged her and thus began the great revival. Later, Imran Qureshi, Aisha Khalid, Ambreen Butt, Saira Wasim and many others took this movement forward and they are all globally celebrated artists in their own right.