But it was Asim’s venture into public art and his subsequent adoption of the Stuckist creed that turned him into a major figure at a relatively young age. Unlike his peers, he broke out of the studio and its sensibilities. His murals at the Abdullah Shah Ghazi shrine in Karachi were electric, and involved the transitional communities of beggars, prostitutes, and the dregs of society who had been rejected by convention.
Dear Asim: you left us in such a hurry – you will be missed, always..RIP
Asim Butt: A rebel from his conventional background, Butt continues to defy the conformist meanings of family, career, security, sexuality and that elusive bourgeois pursuit of happiness. Inspired by the Stuckism movement of […]