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‘About suffering they were never wrong’

Miniaturist Saira Waseem is the latest exponent in a long list of Pakistani artists resisting the country’s political, cultural and social erosion.

Saira waseem4Passion Cycle, 2005

Pakistani art going global is a remarkable story, for it typifies the ineffable contradictions of the country. In part it is a testament to the country’s creative expression, an explosion of sorts; and partly a mode of resistance to the anti-art ideology that is permeating the social fabric. It’s not just painting or the booming art galleries, there is a revival underway of the moribund television drama, the resuscitation of cinema and continuous experimentation with music.

Salima Hashmi, a leading arts academician and practitioner noted in a recent essay that the “proverbial worst of times are certainly the best of times for contemporary Pakistani art.” Our foremost historian, Ayesha Jalal in her latest book “The Struggle for Pakistan” views the creative expression as a resistance to Pakistan’s forced Islamisation. Jalal writes:

saira waseem5 Ethereal I, 2014

“The globalization of Pakistani music has been accompanied by a remarkable leap in the transnational reach of the creative arts…a younger generation of painters are making creative uses of new ideas and technologies to both access and influence a diverse and dynamic transnational artistic scene. The dazzling array of new directions in the contemporary art, literature, and music of Pakistan displays an ongoing tussle between an officially constructed ideology of nationalism and relatively autonomous social and cultural processes in the construction of a “national culture.”

Jalal as a contemporary historian reminds us that the domestic battle of ideas and ideologies is not over and is assuming newer shapes. At the same time, the issue of a crumbling Pakistani state haunts the future trajectory. Is the arts and literature renaissance of sorts an antidote to a state unable to fulfill its basic functions such as securing the lives of its citizens? There are some immediate examples from the subcontinent that come to mind: The reigns of Wajid Ali Shah and Bahadur Shah Zafar in nineteenth century India were also remarkable for their artistic endeavours before the final takeover of the British. Not entirely relevant, these are important phases of our recent history to be remembered.

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‘Europe faces a huge challenge in dealing with its Muslim citizens’

I talked to Akbar S. Ahmed  about the perception of Islam and Muslims in the West

 

MannequinsMannequins dressed in brightly coloured headscarves at a shop in Cite, France

Raza Rumi: With the rise of ISIS, a global debate has ensued about Islam and its followers. ISIS adherents term their acts in sync with Sharia. What are your views on ISIS and its ideology?

Akbar S. Ahmed: Let me make some generalizations here based in research and reflection. ISIS can only be understood in the context of the collapse of relations between tribes and central governments and the implosion of tribal society. I go into this process in detail in my book The Thistle and the Drone: How America’s War on Terror Became a War on Tribal Islam in which I examine 40 case studies in detail across the Muslim world. In Pakistan we have seen something like ISIS with the emergence of the TTP, in West Africa with Boko Haram and Al Shabab in East Africa. Muslim tribes typically live by a code of behavior that emphasizes honor, hospitality, courage and especially revenge. This code has provided a kind of stability for centuries despite the fact that certain aspects of it such as taking revenge are against Islam. Yet after independence these tribes were integrated into modern states and the relationship between them and central governments has often been tumultuous. Today, in a trend seen especially since 9/11, Muslim tribal society is in chaos and the code of revenge especially is completely out of control. Support for ISIS comes from tribal groups in both Syria and Iraq who have been oppressed both by central governments in Damascus and Baghdad. There is nothing Islamic about what they are doing, but their actions can be explained through the mutation of the code of revenge. When they kill western hostages, for example, they say explicitly this is to take revenge for airstrikes. Similarly, the TTP has taken similar action against Pakistani soldiers in revenge, they say, for drone strikes. There has been simply too much suffering in these societies as ordinary people are confronted with airstrikes, drones, suicide bombers, and tribal feuds. In order to remedy the situation and bring stability and peace, we must all have a clear idea what is going wrong. We must not confuse the minority of militants with the larger tribal society from which they come—as has too frequently been done. We must work toward a situation where the tribal people of Muslim countries feel they are treated as full citizens of the state with respect for their human rights and opportunities for economic development. It is only then that the violent forces in these societies will be effectively checked.

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