This piece entitled, My Name is Green, published in the weekly Outlook India traces how “forged in the cultural ferment of a century ago, Islamic poster art in India thrived on the frontiers of taboo.” The author is Shruti Ravindran, who has obviously undertaken a lot of research and also published some great samples of such posters. That Islam in South Asia acquired and adapted the local flavour and modes of social and spiritual interaction is well known.
While reading this piece, I also recalled seeing similar eclectic posters in Pakistan in my childhood before the puritanism of General Zia ul Haq engulfed the country and Wahabi variant of an exclusive and suspicious man made ‘faith’ deepened its presence, well at least in the public domain of representation.
This piece looks at some of these aspects through the popular art form. Read and enjoy – full text has been posted below courtesy the intelligent Outlook. […]