A story that I co-authored with Manzoor Ali, published here
On June 18, celebrated Pashto singer Ghazala Javed and her father were murdered in Peshawar. Text messages and news alerts from the city’s famous Lady Reading Hospital started to spread across Pakistan. Ghazala, for so many Pakhtuns, had been eliminated. The police later indicated that her ex-husband might have been involved as he wanted her to give up her singing career. However, until the investigation is complete, the cause for her death cannot be ascertained.
The story of Ghazala’s last years reflects the travails of Pakistan and its province, Khyber-Pakhtunkhwa (KP), till recently known as the North-West Frontier Province. Her family left Swat in 2007 for Peshawar after the Taliban started gaining power in the valley. In Peshawar, her career witnessed a meteoric rise. She was noted as a rising star with a promising future. During the last three years, the Awami National Party (ANP)-led provincial government has also undertaken a glasnost of sorts by focusing on culture and encouraging the arts industry. But the efforts of Pakistani politicians face a formidable foe in a conservative culture and Taliban militancy. While artists like Ghazala take risks and perform, Taliban militants continue to threaten artists, blow up shrines, CD shops, cinemas and internet cafes. In April 2009, another promising Pashto singer and lyricist, Aiyman Udas was killed on the outskirts of Peshawar. The police suspected her brothers, who were against her musical pursuit, to have perpetrated her death. It remains an unresolved mystery to date. […]