An essay contributed by the celebrated singer,writer and spiritualist Vidya Rao
I often ask myself the question why I choose, above all things, to sing, and then to sing a traditional gayaki like thumri. The images that are gleaned from its poetic texts are so often open to misunderstand: pining nayikas, heartless piyas, rakish Krishnas, divine Rams. I ask myself that question again today when tradition is in danger of being smothered by sectarianism, communal violence and a whole culture lies bleeding.
I turn to the music itself for my answer. It has never failed me before it does not fail me now. […]