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The legend’s shadow

Forays into analysis give resonance to Dilip Kumar’s recollections that are occasionally derailed by Saira Banu’s looming shadow, I wrote in this review of the legendary actor’s autobiography, The Substance and the Shadow.

Dilip

The three legends of Indian cinema: Amitabh Bachan, Shahrukh Khan and Dilip Kumar

‘Yousuf Khan is scared of Dilip Kumar. Only Allah knows who Dilip Kumar is and what all he can do.’

Dilip Kumar will always be the touchstone by which Indian actors will be judged. His recently published book – The Substance and the Shadow – An Autobiography – gives much insight into his life and career. Known as the tragic hero of Indian cinema, Dilip ruled the hearts of millions. His expression and screen persona inspired dozens of actors in the subcontinent. Pakistan too has a claim on him.

Yousuf, the real name of Dilip Kumar was born in 1922 in Peshawar. There has to be something unique about the city – now in tatters and under the grip of extremist ideologies – which produced so many legends including Raj Kapoor. Even Shahrukh Khan’s family has a Peshawar connection. In the mid 1930s the family migrated to Bombay and settled at Deolali where Yousuf studied in Barnes School and Khalsa College. Like other boys of his age, Yousuf played soccer and read the works of European authors and Urdu writers. We are told that his father wanted Yousuf to one day earn the title of Order of the British Empire. But he surpassed that expectation and proved his mettle in the film world and earned countless laurels. […]

Shah Hussain, Madhu Lal and the festival of lights

Lahore is celebrating Mela Chiraghan – the death anniversary of the elusive saint Shah Hussain who is also known as Madhu Lal Shah for his life long association with a Hindu disciple called Madhu Lal. Each year in spring the festival of lights is attended by thousands of people.

Lighting of lamps is a metaphor for killing the inner darkness that we live with. By invoking spiritual light through love and self-knowledge, we can overcome ourselves and attain the mystical state of union with the beloved.

Madhu Lal’s syncretic shrine represents the long-gone era of spirituality rising above religious identities and rituals. Here is a kaafi poem with translation on this blog. A few lines :

They alone know what is love and longing,
Who have it in their lives.
Like digging a well in dry land,
With no cart to carry away the sand. […]

March 29th, 2009|Arts & Culture, Lahore, Sufi poetry, Sufism|5 Comments