Who is entitled to keep the child – one who is a better, nurturing mother, or the one who may be the natural mother but could not care for the child? The larger question then haunts the audience: who is entitled to ownership – the one who has the deed or the one who tills the land?
Ajoka Theatre has revived a production that was first staged twenty three years ago. A deft adaptation of Bertolt Brecht’s The Caucasian Chalk Circle, its vernacular version, Chaak Chakkar, is a timeless comment on the viciousness of Pakistan’s exploitative culture of power politics. Perhaps the duo, Shahid Nadeem the playwright, and Madeeha Gauhar the director, would have tried to capture bits of social reality in the mid 1980s when General Zia was still the Lord Master of Pakistan. Why did Ajoka choose to stage this after a gap of two decades?
As Madeeha Gauhar explained: “In 2008 one marvels at how Brecht had foreseen the chaos, the anarchy, the shameless switching of loyalties of recent years, especially since the return of the popular leadership exile.” The seat of total power, “symbolized as Lal Mahal, is uncannily similar to Lal Masjid and Lal Haveli of our times,” she added. Continue reading “Ajoka Theatre and the Caucasian Chalk Circle”