Steeped in the past, and yet, modernist in its application, neo miniature is the new face of Pakistani miniature painting and art. Having evolved as a genre that is entirely indigenous in its expressions, it has also globalized Pakistani cultural idiom and has inspired a generation of artists within and outside the country
Pakistani miniature painting and art. The survival of a revival
Raza Rumi believes the neo-miniature movement is located within the resilience of Pakistani society as well as its struggle to reinvent aesthetic and cultural parameters of identity.
My detailed report for DAWN:
Nearly two generations of Pakistani artists have experimented with the traditional genre of miniature painting and art; some have even gone on to expand its scope and vocabulary. It is on the shoulders of such artistic endeavor and innovation that Pakistan’s neo-miniature movement has now turned global.
Neo-miniatures retain traditional techniques while incorporating contemporary themes, and some have even deconstructed the format and articulated sensibilities that otherwise would be identified with post-modernism.
Its entry into Western markets — galleries and private collections — is are recognition of the rigorous technique and innovative thematic inferences employed by Pakistani artists. Undoubtedly, Pakistani art has found a discernible niche in the global art market. Continue reading “miniature painting goes global”