Huma Imitiaz has summed up the session I moderated at the KLF. Huma has been kind to me but I am just a humble student of literature and facing Intizar Saheb in this session would remain a milestone in my imagined literary journeys, yet to start…
“There are two forces that have risen in Pakistan: women and mullahs,” said writer and journalist extraordinaire Intizar Husain, at the Karachi Literature Festival. The crowd roared in approval, and Husain smiled. At his session, held on the second day, the room was nowhere near full capacity, but those in attendance were hanging on to his every word. In a one on one discussion with writer Raza Rumi, Husain talked about a variety of subjects, from writing techniques to the Lahore that once was.
Ali Sethi recently attended the Jaipur literary festival and his extraordinary performance is now accessible to those who were not there. I should thank him for sharing this video. Ali’s instructions were also meticulous but I will not post them here except his concluding comment: the whole of the rest of the session is fantastic, […]
*By Faiz Ahmed Faiz
Translated by Ayesha Kaljuvee
Spring has come
So have returned suddenly from the past
All those dreams, all that beauty
That on your lips had died
That had died and lived again each time
All the roses are blooming
That still smell of your memories
That are the blood of my love for you
* * […]
By Raza Rumi
The triumph of a popular movement on March 16 has marked a new beginning. The retreat of an intransigent government and the wise response by the PML-N and the lawyers averted a major crisis that could have been violent, and also a potential recipe for harming the parliamentary system in its infancy. There was a sigh of relief among the public for a long-standing issue appeared to have been resolved. This has been a monumental achievement by all standards.
However, the inherent imbalances within Pakistan’s power structure and the state of its polity are yet to be addressed and the contradictions of how our power is exercised stared us as the good news rolled out through the ubiquitous TV channels and their zealous presenters. The way quintessentially political issues and turf-wars between the PPP and PML-N were battled and resolved through a stage-managed process only concealed the bitter power-realities of Pakistan. […]
Ab aik baar to qudrat javaabdeh thehre
hazaar baar ham insaan aazmaaye gaye
Now Nature must be held accountable at least once
We humans have been held answerable a thousand times
Few men evoke such awe and respect as the departed poet and writer Ahmed Nadeem Qasmi who breathed his last on July 10 2006. His mastery over poetry – he has been equally prolific in traditional ghazal and nazm – and prose – as a short story writer, journalist and literary critic – stand at the pinnacle of Urdu literature and he has contributed to the language over 50 titles.
Born in 1916 amidst the scenic Soon-Sekasar valley in district Khushab, nature influenced the evolution of Qasmi’s poetic sensibilities. Exposure to the grim realities of rural India’s inequities also played their part in his development as a writer; the underlying theme of his poetry is human dignity and his short stories – regarded as next in line to another master, Munshi Prem Chand, for their directness and simplicity – portrayed the woes of the Punjabi peasantry and their interaction with power structures. Following his matriculation from Campbellpur in 1931, around the time when he wrote his first poem, he moved to the Sadiq Egerton College in Bahawalpur and graduated in 1935.
Qasmi’s early short stories such as “Hiroshima say pehle, Hiroshima Kay Ba’ad” narrated the devastating effects of the Hiroshima bombing on a small Punjabi village which fed recruits to the British army. His other stories “Lawrence of Thalaibia” and “Rais Khana” attacked pirs and feudal lords for their relentless exploitation of peasants.
ai Khudaa ab tere firdaus pe meraa haq hai
tuune is daur ke dozakh mein jalaayaa hai mujhe
My Lord! Now, I can rightfully claim thine paradise
You have burnt me in the hell of my times
Yet another field that benefited with Qasmi’s presence was journalism, both from his own writing and his work as an editor.
By the late 1930s Qasmi was editing reformist magazines such as Phool and Taleem-i-Niswan . In the next two decades he edited renowned publications such as Adab-e-Latif , Sawera , Naqoosh, and daily Imroze – a leading Urdu daily which he left when Ayub Khan’s Progressive Papers Limited took over in 1959, despite encouragement to stay on – and finally a journal he set up himself, Fanoon.
Qasmi’s writings in Imroze and later in the daily Jang have been noted as progressive critiques on social and political issues. His journalistic writing was terse and often bold compared to his peers and he never compromised on the principles he held close to his heart. His Imroze editorials opposing Ayub Khan’s martial law landed him four months of incarceration in 1958-9. Qasmi’s last column for Jang in 2006 argued that the Constitution of 1973 was a consensus document and should not have been amended time and again. […]