Lahore

Coffee, tea and revolution

15 November 2009

Before his death in July 2009, KK Aziz had accomplished one mission that he had set for himself, i.e. to write about the Lahore Coffee House, the glorious nursery of ideas. Luckily, despite his failing health, Aziz finished a draft that was meant to be a shining part of his autobiographical kaleidoscope. “The Coffee House of Lahore: A Memoir, 1942-57” was published in 2008 and Aziz, in the opening chapters, tells us about the genesis of his passion to document this memorable phase of our contemporary history.

Whenever an intellectual, cultural and literary history of Lahore (or the Punjab and Pakistan) is written, the diverse circles which met and discoursed in the Coffee House will have to be described in detail and the ever-widening waves of their influence recorded. As nothing has been written so far on the subject and I don’t see anything in the offing, I give below a list of the important persons who I can recall.

Quite diligently, Aziz sets forth to list two hundred and six names that would include a wide array of thinkers, scholars, artists, writers and even some CSPs who obviously changed their life course despite the influence of their Coffee House days. For those who want to know about Lahore and its not-so-old diversity, KK Aziz’s memoir is a must-read. It is (more…)

A Lahori returns to his city

27 September 2009
A friend who just returned to Lahore after spending years in Europe wrote this letter. I quite liked this piece of writing: therefore, with his permission I am posting it here with suitable edits. I think sometimes stuff out of heart leads to great writing. RR
Hey there,
Have been back in the mothersisterland for a week now and the heat has finally started to make its way up to my head. I wish this could have been an ideal rant but sorry to disappoint you ol’ chap it will have to be a slackjawed late night verbal discharge of reflections that one occasionally likes to share on muggy late September night following a dreadfully monotonous day that the whole nation celebrates as eid. The culture shock that I was promised I will get on my return to Pakistan has finally started to manifest itself in loud, vulgar ufone promos on the phone, evolution gone bad displays of road manners and absolutely mind numbing, finer sensibilities gone apeshit offences on TV (more…)

City of our future

15 August 2009

Published in The Friday Times
Lahore’s problems are not intractable, says Raza Rumi after visiting an exhibition organised by OCCO
Attiq Ahmed, the unassuming leader of the Office for Conservation and Community Outreach (OCCO), encompasses both the old traditions of public service and the modern impulse for change. Among his many initiatives, his passion is OCCO. Comprised of a group of motivated urban designers and architects, the organization is a voluntary effort, financed by donations from individuals who refuse to ignore the responsibility that the bizarre “development” of Pakistan, and Lahore in particular, has thrust upon them. (more…)

My city, my trees

2 August 2009

The ‘Lahore bachao tehreek’ may be ‘too little, too late’

Traffic snarls like this one are a common occurence in Lahore

It is absolutely unacceptable that Lahore is the most polluted city of Pakistan. New data … reveals that Lahore takes the cake when it comes to air pollution and the attendant dangers to public health

My piece published in The Friday Times

Moaning about Lahore’s most elitist enclave, GOR-I, is a contentious undertaking. On the one hand, it was, until recently, the best of what the British left us – lovingly adorned with diverse species of trees, home to glorious specimens of ecologically-friendly architecture and an old-world-charm unparalleled for its simplicity and elegance. On the other hand, it was also a symbol of the extractive, Punjab-centric colonial state of the nineteenth century, lorded over by the agents of the Indian civil service.

But when one has lived in those sublime environs, not as the scion of a landed, aristocratic clan but rather as a member of a middle-class, professional family, what is one to do? GOR-I was a lonely plant of sorts amid the sprawl of Lahore, with trees, birds and orchards one would not have expected to find in an Asian mega-city. In the spring, we strolled amid the just-bloomed shrubs; in the summer, amaltas trees and shady, mythical jamuns greeted us at every corner. In winter, GOR-I was a misty, freezing locale, reminiscent of the little hill-stations nurtured by the British while they controlled the destiny of India.

We would often step out of the little lanes of GOR-I and walk all the way to Ferozsons bookshop on the Mall to browse through the new titles. This was an age when video games had not captured the energies of the young, when the internet had not even been dreamt of, and when the television, in those dark years of General Zia-ul-Haq, was a daily booster shot of boredom. This is not the case anymore, for by now one has already mourned the loss of Lahore to rampant and senseless greed, the vagaries of the land mafia and the absolute failure of the civic authorities. It is inconceivable now to walk anywhere along the Mall without inhaling toxic fumes, or worse, being hit by a speeding vehicle. Decay is all around us. Its foremost manifestation can be seen in the way the Lahori elites and residents have slowly poisoned their city.

Much could be said on the suicidal tendencies of the natives in general, for it is not with Lahore alone that we are concerned. Suicide is evident all over the place. From a young, brainwashed lad who blows himself up in search of paradise to a state that is its own worst enemy, our irrational behavior is simply mind-boggling. One had learned from dear Darwin that evolution was about the survival of the fittest. But the global destruction of the (more…)

Baytunur – an academic platform in Lahore

19 May 2009

Announcement by Taimoor Khan Mumtaz

Baytunur registered as a trust in the year 2006 to promote the understanding of the spiritual branch of Islam known as ‘tasawwuf’ or “Sufism”. Managed and supported by six trustees, its academic activity is overseen by a board that includes three trustees and three scholars. It also has an academic advisory council.

 The Islam Seminars:  are a series of seminars and/or colloquiums that are held in spring and/or summer each year where different scholars are invited to speak in an interactive environment on a certain topic. The topics are usually set on public demand. The inaugural seminars were held in collaboration with Iqbal Academy Pakistan in Lahore, Pakistan and Teachers’ Development Centre, Karachi in 2007. To date a total of six Islam Seminars have been conducted. (more…)

Lahore is burning

30 March 2009

Raza Rumi

[reportedly] 27 dead and dozens injured – no respite for us.

Once again, in less than a month Lahore has been ravaged by terrorists. Who said that Pakistan was a hub of terrorism – we are now the greatest victim of terror and militancy. The residents of Lahore are scared and the vibrant city seems to be enveloped in a mist of uncertainty and fear.

The Mumbai and later Lahore 3/3 model seems to be in vogue now. Extremely well trained commandos, with sophisticated weapons  and not afraid of death are let loose on the society. The media is hysterical as well and following the Indian media’s cue[s] is now a participant and embedded in the so-called operation. (more…)

Shah Hussain, Madhu Lal and the festival of lights

29 March 2009

Lahore is celebrating Mela Chiraghan – the death anniversary of the elusive saint Shah Hussain who is also known as Madhu Lal Shah for his life long association with a Hindu disciple called Madhu Lal. Each year in spring the festival of lights is attended by thousands of people.

Lighting of lamps is a metaphor for killing the inner darkness that we live with. By invoking spiritual light through love and self-knowledge, we can overcome ourselves and attain the mystical state of union with the beloved.

Madhu Lal’s syncretic shrine represents the long-gone era of spirituality rising above religious identities and rituals. Here is a kaafi poem with translation on this blog. A few lines :

They alone know what is love and longing,
Who have it in their lives.
Like digging a well in dry land,
With no cart to carry away the sand. (more…)

Reclaiming melody

5 March 2009

Labourers of love: Mushtaq Soofi, Izzat Majeed & Christoph Bracher

Mian Yusaf Salahuddin’s Haveli, where Tarang was launched

Christoph Bracher testing equipment at Sachal Studios

Revival of the orchestra by Sachal Studios is a landmark in Pakistan’s music industry

Izzat Majeed: patron of music

Singers and musicians showcasing their skills at Sachal Studios

Humaira Channa

Izzat Majeed was raised in a household where good music was an object of reverence. His late father, Mian Abdul Majeed was an avid music fan, and from an early age his son was introduced to the finer details of sub-continental classical music. Mian Abdul Majeed was a student of Ustad Akbar Ali Khan and introduced Izzat to the layers and nuances of Indian film music that continue to guide him in his tastes and sensibilities

It was a mellow, moonlit evening of Lahore’s glorious spring when Sachal Studios released their album ‘Tarang’. It could not have been at a more fitting venue. Amid the decaying environs of Old Lahore stands the Haveli of Mian Yusaf Salahuddin, refurbished into a little planet of conservation as a courageous effort to protect and rejuvenate Lahore’s cultural soul. Mian Yusuf is the one denizen who has done this good deed for posterity, along with Syed Babar Ali who has conserved his ancestral Mubarak Begum Haveli in Bhaati Gate. Of course, the state has been abject in its failure to conserve Lahore’s majestic heritage.Sachal Studios is the brainchild of international businessman Izzat Majeed and man of letters Mushtaq Soofi, an exceptionally motivated duo. Sachal has infused the local music scene with innovation and energy. It is promoting a hybrid orchestra – once an integral part of the subcontinent’s film music tradition. Since 2003, Majeed, an activist and radical intellectual in a previous avatar, has devoted his time and money to this passion – to create Pakistani melodies in sync with the imperatives of contemporary musical sensibilities.

Started as a labour of love, Sachal Studios has released ‘Tarang,’ a collection of music that brings together the best musicians from all over Pakistan, and Humaira Channa’s competent voice. Of late, Channa has been a victim of commercial success and the quality compromises that define Pakistan’s derelict film music. Sachal’s production is a relief; a fresh departure from the usual, and the melodic results are impressive.

At the Old Lahore Haveli, Channa with her family and associates were accorded the respect they deserve. In a similar vein, immensely talented artists, such as the tabla maestro Billoo Khan and Pakistan’s leading sitar player, Ustad Nafees Ahmed Khan also attracted the attention of the star-studded guest list and Lahore’s usual chatterati. It was on a dimly lit terrace of the Haveli that I was introduced to Izzat Majeed, who looked pleased with himself and his Sachal partners as notes from the latest album mixed with the spring air.

Inspired by the Abbey Road Studios in London, Majeed and Soofi have been working for the last six years with Christoph Bracher, a scion of a German musicians’ family, to design and set up Sachal Studios. A state of the art music studio in Lahore is a landmark, for it heralds a new trend of post-production finesse that has hitherto been missing from the Pakistani music production process. A major contribution of Majeed is his introduction of the concept of ‘music-producers’. The norms of the industry have tragically reduced the role of a producer to an investor, from that of someone who drives the quality, provides technical inputs and steers the overall aesthetic of a musical experience.

Majeed related to me how he was raised in a household where good music was an object of reverence. His late father, Mian Abdul Majeed was an avid music fan, and from an early age his son was introduced to the finer details of sub-continental classical music. His father was a student of Ustad Akbar Ali Khan and introduced Majeed to the layers and nuances of Indian film music that continue to guide him in his tastes and sensibilities.

As he reminisced about the lost eras, Majeed told me how Jazz captured his imagination in his youth. “Believe it or not, great performers such as Louis Armstrong visited Lahore, and played fabulous music at the United States Information Services office on Queen’s Road,” he recalled. But he laments the fact that the vacuum that the local music scene is trapped in is gigantic. Ustad Mehdi Hasan does not sing any more, Madame Noor Jehan is dead and the great golden voices are getting lost in the onslaught of new trends in the music industry. He conceded that the pop scene is vibrant, but a bulk of those productions are “pure electronic noise”. Majeed is right, because the Pakistani state has demolished, brick by brick, the secular, composite culture of the Indus Valley and replaced it with a crippling “ideology” where no flowers bloom, where no bulbul sings.

This is why Sachal Studios is such an important intervention. It flies in the face of the state’s enforced desertification of culture; it seeks to encourage younger singers like Feriha Pervaiz, Ali Raza and Zaheer Abbas amongst others, to become heirs of the traditions that have historically defined musical consciousness in the popular domain. Izzat Majeed is also a poet in Punjabi and English, and so is Mushtaq Soofi. The two music aficionados have lent their verse to the myriad compositions of Sachal Studios.

Sachal’s efforts to build an orchestra have been rewarding. There is joy and unabashed triumph in Majeed’s tone when he says that in 2003 only 10 violinists were available in Lahore; the number has now increased to 30, providing extraordinary ground to the Sachal orchestra on which it can expand and deepen its range. The glorious sub-continental tradition of employing grand orchestras to enhance melodies, used by legends such as Naushad Ali, Madan Mohan, Khayyam, Shankar Jaikishen and Salil Chaudhry has become extinct except perhaps in the works of the genius, A R Rehman. In Pakistan, Majeed has picked up the tradition of serious film music of yesteryear, and has revitalised it; one hears the endangered violin instead of the plain electronic synthesiser in works produced by Sachal Studios.

But Majeed makes no grand claims. “I am not a crusader; I create music for the pleasure of music itself,” he says. This is an unusual statement in a country where bragging is a national pastime. It is easy to understand why Majeed’s partnership with Mushtaq Soofi has been fruitful. Soofi, a notable Punjabi poet, with vast experience in music production at Pakistan Television (PTV), is as self-effacing as Majeed. I met Soofi at the Sachal Studios premises, where he talked to me about his passion for music, sitting at his desk, chain-smoking, books with subjects ranging from pre-Islamic Persia to sources of the English language lying on his lacquered table. Like Majeed, he has also been immersed in music for the better part of his life. And after a long stint at PTV he has devoted his energies to Sachal. The prospect of pursuing music unencumbered by bureaucratic obstacles has set Soofi free.

Earlier, my visit to Sachal was quite an experience. Amid the ramshackle automobile workshops and Warris Road limits, which are constantly shrinking due to encroachments, stood the refurbished building, not too high yet modern in character. Like its vision, the environs and facilities of the studios were also ground-breaking. The state-of-the-art arrangements and impeccable acoustics have led to high quality results. I recalled (more…)

Data Ganj Baksh: Lahore’s oldest guide

15 February 2009

Perhaps the greatest of the experiences at Data Darbar is to find oneself connected to a stream of humanity, shoulder to shoulder, with a shared sense of spirituality that cuts across ethnicity, sect, ritual and even religion at times. Despite the mayhem, the serenity of the place is soothing

Raza Rumi
Last week, accompanying a visitor from the Mecca of Sufis, Delhi, I reconnected with the Data Darbar or the royal pavilion of the great saint of Lahore, Ali bin Usman Al Hajveri. This shrine is the oldest and perhaps the most vibrant cultural marker of the past one millennium in Lahore. The title of Ganj Bakhsh was bestowed by the saint of the saints Khwaja Moin ud din Chishti of Ajmere, whose ascendancy in the Chishtia Sufi order is recognised by all and sundry. Pilgrimage to Ajmere by itself is a matter of spiritual attainment for the majority of Muslims in the subcontinent. It is not difficult to imagine then what the stature of Lahore’s Data Darbar is in this esoteric yet real and lived Islam in South Asia. While Khwaja Moin ud din Chishti honoured the Lahori saint with the title “bestower of treasure,” ordinary folk on Lahore’s streets were more direct by naming the saint as Data, the one who facilitates the fulfilment of aspirations.

Living nearly 11 centuries ago, Syed Ali bin Usman Al Hajveri was not a Lahori but a resident of Lahore’s cultural step-cousin, Ghazni, until he arrived in India and wandered in northern India before settling in Lahore for the last 34 years of his life. This was the time when mystics from Central Asia, in their constant urge to discover new vistas of spiritual exploration, started to travel and settle in different parts of the Indian subcontinent. It remains a mystery as to why Data Ganj Bakhsh would have chosen Lahore as the final stop in his life long journey. Perhaps the secular interpretation could be that Lahore was an inevitable stop over for all the Central Asian and Turkic caravans and armies and provided the right kind of environment for a foreign mystic to amalgamate into. A little before Ganj Bakhsh’s arrival, Lahore had been resurrected from the earlier ravages of time by the Ghaznavid ruler Mahmood and his son Masood. (more…)

The native returns

21 November 2008

Unaffected by the prophets of doom, a Lahori decides the city is the place to be

Twenty years ago, I left Lahore. Excited by prospects of quality higher education and the adolescent yearning for freedom, this was a moment that only with age I have understood. A flash that alters the life-path even when one is not aware of it. As I grew up and visited Lahore from a multitude of cities and continents, Lahore’s provincialism and inward-looking ethos irked me. However, the splendour of its lived history and multi-layered present fascinated me endlessly. A false sense of fatalism whispered that my exile was going to cover a life-span.

The last few years were spent abroad: so dejected I was that not living in Lahore would mean living just anywhere. When I decided this summer to return to Pakistan, I was astounded by the reactions from all and sundry. I was told that I am ‘mad’ to have chosen to return to a burning, imploding and crashing Pakistan. Such is the power of global corporate media that even the discerning and schooled Pakistanis have started to believe in the failed state mantra scripted outside Pakistan.

My own parents, temporary residents of Islamabad, scared by the blasts advised me against it. Others from the more indulgent school of thought were aghast with my decision to return to a country where power outages, crumbling urban infrastructure and pollution define urban living. Of all the nightmares cited was that who knows if the country would survive? Such cynicism and unmasked pessimism about Pakistan is always disturbing, yet familiar. My question is when was the country not about to unravel since 1947?

Such has been the level of insecurity propagated by the state and of late its international partners or the ubiquitously infamous band of its ‘friends’? After all, if this was such a grave situation then I might as well be with the loved and the familiar instead of living a life of an unrequited exile? (more…)

Let the cynics froth and fume

13 November 2008

My piece published in The Friday Times

This is the magic of Lahore and its deep-rooted cultural mores. No other city can boast of such individuals, movements and trends. Hopefully, the music will live on. The interest of younger generations and their experiments with various forms of music hold great promise

Last week the breezy environs of the majestic Lawrence Gardens once again swayed to the tunes of Hindustani classical music. A week long music festival organised by the All Pakistan Music Conference attracted musicians, vocalists and enthusiasts from all parts the country, as well as from the imagined “enemy” India. How could it not be the case when musical traditions emerged out of a cultural synthesis of 700 years or more?

The leading light of APMC was Hayat Ahmad Khan, whose sad demise in 2005 was interpreted as an end to the glorious tradition of subcontinental streams of music in Pakistan. However, 83 years of hard work and philanthropic contributions was not in vain. He left behind a powerful institution and a network of committed individuals and aesthetes who have kept the torch ablaze. Not a small feat in the troubled waters of a Pakistani cultural landscape constantly under attack by nation-state ideology and extremism that consider music to be too “Indian” or, even worse, un-Islamic.

This is the greatest irony of our existence: the Muslims in India contributed to what is known today as Indian classical music and innovations such as the sitar and the tabla. The Qawwal bache trained at the shrine of Nizamuddin Auliya in Delhi under the tutelage of Amir Khusrau became the founders of what was to later evolve as the sophisticated Khayal style of music. In dire times of the Sultanate and Mughal periods, these musicians had to take refuge in the princely states, and this is how the various gharanas, or schools of music, originated. This loose network of musicians organised along the lines of kinship or teacher-pupil bonds, sustained by court patronage and eclectic and secular in appeal, led to some fine moments. Tansen at Akbar’s court, Mohammad Shah Rangeela’s patronage and later the Kingdom of Oudh defined the high-points of this fused and seamless culture beyond religion, communal and sectarian divides.

To keep this tradition alive in post-independence Pakistan was a Herculean task. Pakistan was a moth-eaten and truncated country in the words of its founder Mohammad Ali Jinnah. The psychological trauma and barbarity of the Partition had jolted everyone and the traditional patronage of the state was missing. It was under these circumstances that on September 15 1959, music-inspired citizens met at the famous Coffee House of Lahore and launched a voluntary organization called The All Pakistan Music Conference. Eminent personas such as Roshan Ara Begum were among the illustrious list of its founders.

It should be noted that this was also the age when the maestro Ustad Bade Ghulam Ali Khan migrated to India and Roshan Ara Begum was almost about to give up the passion of her life. Thus (more…)

In City of Tolerance…

3 November 2008

I was quoted in this NYT article on Lahore

Still, Raza Rumi, a writer and blogger who takes great pride in his city, insisted that “Islamic extremism has had very little appeal here.” The cultural life of Lahore goes on, as it has for centuries.

He said that a recent stage play, “Hotel Moenjodaro,” whose theme was against religious fundamentalism, drew a packed audience. “It was very encouraging,” Mr. Rumi said.

Nonetheless, he said, the Hall Road incident and the juice store blasts were alarming. “If the traders, the merchant class, which forms the bulk of the middle class of Lahore, becomes Talibanized, then the whole complexion of the city will change,” he said. “That’s a fear amongst the secular intelligentsia and elite of Lahore.”

Full story here

Lahore blasts fail to terrorise Lahoris

8 October 2008

Posted by Raza Rumi

Having lived two days in Lahore as a ‘resident’, the three low intensity blasts are a rude reminder that there is a war all over the country..It does not matter whose war it is; what matters is that it is real and not a fantasy and that it continues to harm ordinary, unarmed citizens who perhaps have no hand in formulating policies in Pakistan.

The fodder of terrorism – home grown and external – are innocent victims, children and more often than not, the poor..

What can be done, is the issue. And, the answers to this ostensibly simple question are in short supply. (more…)

Living Lohawarana – a Lahori rambling

7 October 2008

My piece for Himal Magazine’s October issue


There was a Lahore that I grew up in, and then there is the Lahore that I live in now. Recovering from an exile status for two decades, I find myself today turning into something of a clichéd grump, hanging desperately on to the past. Yet I resist that. Writing about Lahore is a sensation that lies beyond the folklore – Jine Lahore nai wakhaya o janmia nai (The one who has not seen Lahore has never lived). It has to do with an inexplicable bonding and oneness with the past, and yet a contradictory and not-so-glorious interface with the present.

Lahore is now the second largest city in Pakistan, with a population that has crossed the 10 million mark. It is turning into a monstropolis. Had it not been for Lahore’s intimacy with Pakistan’s power base – the Punjab-dominated national establishment – this would be just another massive, unmanageable city, regurgitating all the urban clichés of the Global South. But Lahore retains a definite soul; it is comfortable with modernity and globalisation, and continues to provide inspiration for visitors and residents alike.

Over the last millennium, Lahore has been the traditional capital of Punjab in its various permutations. A cultural centre of North India extending from Peshawar to New Delhi, it has historically been open to visitors, invaders and Sufi saints alike. Several accounts tell how Lahore emerged as a town between the 6th and 16th centuries BC. According to commonly accepted myth, Lahore’s ancient provenance, Lohawarana, was founded by the two sons of Lord Ram some 4000 years ago. One of these sons, Loh (or Luv), gave his name to this timeless city. A deserted temple in Lahore Fort is ostensibly a tribute to Loh, located near the Alamgiri gate, next to the fort’s old jails. Under the regime of Zia ul-Haq, Loh’s divine space was closed and used as a dungeon in which to punish political activists. (more…)

The electric, worrisome and meandering Long March in Pakistan

14 June 2008

NYT report on Long March highlights the electrifying atmosphere in Islamabad yesterday:

The crowd, including an unusual number of women for this Muslim country, along with families and members of small political parties, continued to swell after midnight, waiting in a festive atmosphere for the main speakers to arrive by bus and plane from around the country.

Mr. Sharif showed solidarity with the lawyers, appearing on the stage with by his party’s activists at 2:30 a.m. Saturday to address the demonstrators. Mr. Sharif said there should be a process of public accountability for Mr. Musharraf, and he should not be granted a safe exit. In recent weeks, Mr. Sharif has repeatedly called for the impeachment of Mr. Musharraf.

Aitzaz Ahsan, the leader of the lawyers’ movement, who drove in a caravan of cars for three days from Lahore, also arrived after midnight as local television channels continued to show the event. At an earlier stop, 60 miles outside the capital, Mr. Ahsan said: “We are out in the streets to save Pakistan. We want social justice; we want political justice and constitutional justice.”

An activist from Islamabad writes:

We are today passing through blurred times. Imagine the perplexity of the situation. The former military hawks (like Hamid Gul, Aslam Baig, and countless others) are now speaking the tongue of democrates. Jamaat Islami is struggling for the rule of law. The groups who boycoted the last election have monoplized the interpretation of the election mandate and will of the people.
 
The last day Long March was one of its vivid manifestations. As I live in Islamabad, I got the opportunity to observe the March. It was predominantly Jamaat Islami show. After a long time, I heard slogans and (military) songs which I was used to listen in my youth in Zia’s era. Correct, this aspect of March was not much highlighted in the mainstream (free,corporate) media. … So we need to think twice and thrice before forming any rigid position on the issues we are today encountered. 

Daily Times rather dispassioantely looks into the Long March:

Despite Aitzaz Ahsan’s histrionics, one shouldn’t carry the analogy of Mao Tse Tung’s Long March too far because in it only a fraction of the marchers managed to survive. But the lawyers’ growing political baggage is making the original “legalistic” camel lurch a little. Some observers of the lawyers’ passage in Lahore say the Long March was “hijacked” by the PMLN and its leader Mr Nawaz Sharif who used the occasion at Azadi Chowk at the Minar-e Pakistan in Lahore to whip up his by-election campaign too. The public meeting was a PMLN success. (more…)

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